729 Bush St. | map |
Opened: November 21, 1969 with "House of Passion" according to research by Mike Rivest. Thanks to Jack Tillmany for sharing this c.1970 photo by Tom Gray that's in his collection.
The operator, Shan Sayles, had purchased the rights to the name from the Fairmont Hotel after they closed their theatre. This second Nob Hill Theatre was on the south side of the street between Powell and Mason.
The building dates back to 1910 when it opened as a grocery store and butcher shop. It had been a night club called Melody Lane in the 40s, which turned into Club Hangover, a Dixieland style jazz club around 1949. There was a poster in the lobby of Louis Armstrong when he played there. There's more about the Hangover at the bottom of the page.
The theatre's operators thought it had opened in 1968. Ken Roe commented on Cinema Treasures in 2005:
"A sign in the poster frames outside the cinema states that it has been open since 1968."
The San Francisco Chronicle used the 1968 date for its opening as a film house in Noah Berger's 2018 article "SF's Nob Hill Theatre closed after 50 years of stripped-down fun." Their origin story:
"It wasn’t until 1968 when a man named Shan Sayles reopened the space as Nob Hill Theatre, a name he'd bought from the Fairmont Hotel when its theater closed. For at least a couple years, Sayles played European art films at the theatre. But business was slow, so he changed course. 'They stopped showing the B movies and started showing gay porn,' Hoover [Larry Hoover, a co-owner] said. 'According to Shan, the line was around the corner overnight.'"
Jack Tillmany comments on the story:
A c.1971 ad located by Gerald A. DeLuca for a post on Cinema Treasures.
Christopher Enzi notes that when he worked the theatre as a projectionist from 1980 to 1983 it had a single 16mm projector. Jack Tillmany comments:
As part of a July 2018 announcement of the theatre's closing Karin Lee Jaffie posted this photo on the Facebook page San Francisco Remembered. Thanks to Bob Ristelhueber for spotting it for a share on the BAHT Facebook page.
A photo appearing with the December 2019 SocketSite article "Plans for Iconic Nob Hill Theater Site Have Been Drawn."
From 1949 until 1967 as Club Hangover:
A postcard that made an appearance on the San Francisco Remembered Facebook page. Thanks to Jack Tillmany for spotting it.
Nick Rossi comments:
April 1964: "Strictly Dixie and Jazz" by Chris Ibañez Trio
April 1965: Initial topless dancers raids and usual arrests.
May 1967: Ed Fury and Jeannie Dell perform as "The Cosmic Bodies"
June 1967: "Topless Dancing" - i.e. female entertainers
More information: See the page about the theatre on Cinema Treasures. A memorabilia auction and "Estate Sale" over the 2018 Labor Day weekend was detailed on the theatre's Facebook page.
The Chronicle covered the 2018 closing with "SF's Nob Hill Theatre closed after 50 years of stripped-down fun," an article by Ryan Kost. "Nob Hill Theatre is the Latest Famed Gay Space to Close" was an August 2018 article in the gay oriented site The Advocate. A fine story on the KTVU website included some of the building's history and other interesting details.
Thanks to Gary Meyer for sending along several of the news items about the theatre.
See Gene Stuart's August 2021 San Francisco Remembered post about the venue for many, many stories from former workers and customers.
Jack Tillmany's Arcadia Publishing book "Theatres of San Francisco" can be previewed on Google Books. It's available from Amazon or your local bookseller. The Nob Hill gets covered on page 64.
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That's a photo of bassist Pops Foster above, not pianist Earl "Fatha" Hines. The Club Hangover opened in the spring of 1949, I believe, and ran until the early summer of 1967. As important as it the Nob Hill Theater subsequently was for SF's gay community, the Club Hangover was extremely important the City's traditional jazz world as a premiere downtown venue for a lot of African-American performers who could not find work in other SF-Bay Area jazz clubs. Hines for example was one of the most important pianists in the history of jazz and yet the Hangover was the only spot which would regularly employ him during his long stay in the City. Thanks for providing the full tale of the space here.
ReplyDeleteThanks, Nick!
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