We're looking at part of the block on the south side of the street between 3rd and 4th with the Portolá
on the left and the big new Humboldt Bank Building in the middle. The building housing the Pastime Theatre is on the right. The California Theatre would be built on that site in 1917.
The photo appeared in the February 1913 issue of Architect and Engineer. It's on Internet Archive. Thanks to Jack Tillmany for this version. He notes that the Portolá and the Market St. Theatre (much later called the
Esquire) were the first two big houses to open on Market after the
earthquake and fire.
Gary
Parks comments:
"Great image of how long the lobby was. I knew the auditorium had been built at right angles to the lobby, but didn't know it was so far back from Market St."
Opened: The Portolá Theatre tried to open August 1, 1909. The San Francisco Dramatic Review had the story giving the August 1 date:
Jack found this mention buried in a column of unrelated business news on page 12 of the August 3, 1909 issue of the Chronicle talking about a lease to a different firm. He comments:
About the name he notes:
Jack located this article from the San Francisco Dramatic Review.
Seating: 1,400 perhaps. The announcement of the opening above notes only 900 seats installed at that time. A number that surfaces later for the capacity is 1,100. It was down to 800 at the end.
The Portola's auditorium is seen in blue with the entrance at 779 Market in this detail
from page 145 in volume 2 of the 1913 Sanborn Fire Insurance Map. Stevenson
St. is at the back of the building. The Humboldt Building is shown in brown. Just below it is the Pastime Theatre at 787 Market, indicated as "Moving Pictures." That location would become the site of the California Theatre in 1917. Thanks to Art Siegel for locating the map
as image 39 of a set on the Library of Congress website.
What a busy block! Here's an annotated view of the south side of the block with the five theatres that were on the map in 1913:
The Portola did quite well and was soon taken over by Eugene Roth. A July 15, 1916, article about San Francisco’s movie theaters in The Moving Picture World noted:
"The Portola theater on Market street, near
Fourth, is one of the most interesting houses in the city. When first
opened it was devoted to vaudeville and moving pictures, but has been
showing the latter exclusively for several years. Under the able
direction of Eugene Roth it was been made a great success with its never
varying policy in regard to prices and the selection of attractions. It
has a seating capacity of 1,100 and has shown many of the greatest
films produced, at ten and twenty cents.
"So marked has been the success
of this house that a company known as the Market Street Realty Company
has been formed to erect a moving picture theater at Fourth and Market
streets with a seating capacity of about 3,000, this house to be one of
the finest in America. This company has taken over the Portola theater,
as well as the Market Street theater [later called Esquire, opened
1909], two blocks further up the street. This latter house, which has
been conducted since its erection by Hallahan & Getz, has a seating
capacity of 1,100, so that when the new theater is ready Mr. Roth will
have charge of three houses within two blocks, with a total of about
5,200 seats."
It closed on July 7, 1928 and in mid-October 1930 reopened as a miniature golf course called Pee Wee Golf Course. Evidently that wasn't a big hit. By January 1932 it had become a bus station for Gray Line.
A xerox of a xerox from the Jack Tillmany collection showing buses lined up in the Portola's auditorium. It's an article from the June 1932 issue of the magazine Bus Transportation.
It was reopened in 1944, again called the Portolá Theatre. The operator was Ben Levin's General Theatrical Co. In 1946 Blumenfeld announced they were purchasing it from Levin, but the deal apparently never went through. In 1947 Levin unloaded the Portola to Trans-International, headed by Sidney Pink, thus beginning its quarter century status as a Market Street exploitation house.
The reopening was Friday June 9, 1944. Thanks to Jack Tillmany for finding this ad on page eleven in the June 8, 1944 Chronicle. It can be viewed on Newsbank. Jack notes:
The same issue also had a small article noting:
"In addition to the mural depicting the discovery of San Francisco Bay in 1769, the salon lounge of the new Portola Theater...will also display a collection of prints, old lithographs, photographs and newspaper clippings of early San Francisco."
Closing: August 14, 1971. "Mona" and "Hollywood Blue" were still going strong so that program moved over to the Centre Theatre.
Status: The theatre was demolished in 1971. The current building houses a Coffee Bean and Tea Leaf cafe. Jack Tillmany comments:
Interior views:
The right side of the very long lobby c.1920. It stretched way back from Market with the auditorium running parallel to Market with exits on Stevenson St. Market is behind us as we look toward the doors to the inner lobby. Thanks to Gary Parks for the photo from his collection.
A c.1920 view of the Portola's proscenium from the Jack Tillmany collection. A smaller version from Jack appears on the San Francisco Public Library website.
A closer look at the proscenium c. 1920. That exit door went out to Stevenson St., a block south of Market. Photo: Gary Parks collection
The look of the proscenium after the theatre reopened following many years' use as a bus station. It's a September 18, 1944 photo by Ted Newman that's in the Jack Tillmany collection. It's on the San Francisco Public Library website.
Gary Parks comments: "General Theatrical reopened it as a theatre, after
a bare-bones-budget refurbishing, to capitalize on the transient
military trade. They put almost no effort into decorating the place.
Fortunately, the proscenium--sans organ fronts--was still there, and
they got used seats from some other theatre. This info from late friend,
Steve Levin, whose father was one of the owners of General
Theatrical."
More exterior views:
The far half of the squat building in the center would soon become the Portola's entrance. It's a detail from a c.1908 Humboldt Building postcard on the site Hip Postcard. See the full card. Note that here we see skylights. Several would be retained and appear on the 1913 Sanborn map. This card is also on Card Cow as well as on the SF Memory website. That building on the far right housed the Pastime Theatre beginning around 1910. See that page for several more early views. The Pastime was demolished in 1916 for construction of the California Theatre.
A detail from a pre-1913 postcard in the Jack Tillmany collection. Note that the Portolá didn't yet have a marquee.
The theatre ready for the crowds at 11pm on a night in 1913. Thanks to Bob Ristehhueber for the photo from a 1913 issue of the trade magazine Motography. It was a post on the BAHT Facebook page. Jack Tillmany comments:
A contradictory 1913 view of the theatre. The marquee says "Strictly High Class" while the film they're running is "The Inside of the White Slave Traffic," a December release. The guys seem to be going for it. It's a postcard on Calisphere from the Museum of Performance and Design Performing Arts Library. Jack Tillmany comments:
An October 1913 view from the Glenn Koch collection. Across the street that's the "Portola Bell," a display celebrating the Portola Festival. Also see a photo from farther west looking toward the Bell from near the Pantages and Empress/St. Francis. It's also from Glenn's collection. Thanks, Glenn!
A December 1914 trade magazine report of the great business the Portola did with "Salomy Jane" in November. Thanks to Jack Tillmany for the item from his collection.
A closer look at the photo of the crowd for "Salomy Jane" in November 1914. Jack calls our attention to the use of changeable letters on the roof sign.
An August 1915 trade magazine photo from the Jack Tillmany collection showing the displays in the ticket lobby during the run of "The Rosary."
A postcard view looking east on Market from 4th toward the Call Building. The Portola is down in the lower right. Farther down the block is the marquee for the Odeon (747 Market) and the six-story Bancroft Building housing the Silver Palace Theatre (later called the Hub, 727 Market). Thanks to Bill Gabel for the photo, a contribution of his on the Cinema Treasures page about the theatre, which they list as the Paris.
A 1916 photo from the Jack Tillmany collection shows (left to right) the Odeon (747 Market, with the big marquee), the Unique (757 Market, the building with the light colored arch), the Wonderland (763 Market, just this side of the Unique), the Portola (779 Market), and the Pastime (787 Market), 5 of 6 theatres in that block in 1916. Note the 5 cent signs on the Pastime. Missing is the Silver Palace/Hub Theatre, farther off to the left at 727 Market.
An ad in the March 25, 1916 issue of Motion Picture celebrated the business the Portola was doing with "The Ne'er Do Well."
A closer look at the photo from the ad showing the crowd "filling the lobby." Thanks to Robert Ristelhueber for finding the ad for a post on the BAHT Facebook page.
The Portola appears in this 1917 postcard view shot during a parade. On the far right the California Theatre is under construction. Thanks to Glenn Koch for spotting the card on eBay.
A May 1918 look east on Market at 4th. Beyond the California Theatre on
the corner we get a glimpse of
the Portola Theatre. The photo, from the Emiliano Echeverria /
Randolph Brandt Collection, appears on the Open SF History Project website.
A December 1923 photo from the Jack Tillmany collection. He comments: "The usual street work on Market St. Note: The Portola marquee has vanished!"
A detail that Art extracted from the 1925 photo, and that John Harris cleared up a bit. On the far right it's the signage of the California Theatre running "The King On Main Street" with Adolphe Menjou and Bessie Love. Also on the bill was a Chaplin comedy. The Humboldt Bank Building is between the two theatres.
The poor Portola as a Gray Line bus station, a period that began in late 1931 or early 1932 and lasted until 1944. That's one of their buses out front. Thanks to Jack Tillmany for the January 1, 1932 photo from his collection. The theatre had closed in 1928 and had a brief run as a Pee Wee Golf Course beginning October 1930. Gary Parks comments:
A late 1942 or early 1943 photo from the Jack Tillmany collection with the Portola site still in operation as the Gray Line Depot.
A January 1944 photo from Jack Tillmany. He notes: "The Gray Line seems to have vanished from the Portola site, probably as the result of WWII gasoline rationing impacting its operation."
A September 18, 1944 photo of the recently reopened theatre playing "The Awful Truth" with Cary Grant and Irene Dunne along with Richard Dix in "Tombstone." It's a photo by Ted Newman from the Jack Tillmany collection on the San Francisco Public Library website. Jack notes:
A Time/Life photo taken on August 14, 1945. Celebrated as VJ Day, it marked the official end of World War II. Thanks to Bob Ristelhueber for posting the photo on the BAHT Facebook page.
A July 1946 Shriners parade photo from the Jack Tillmany collection. He comments:
An October 1947 photo from Jack Tillmany's collection featuring a streetcar decked out to promote the annual Community Chest drive. He comments:
"Interesting for a couple of reasons: 'Driftwood' was a
Republic B+ trying to pass itself off as an A, which 'enjoyed' its SF
Premiere at the State, but the savvy moviegoing public knew that if it
was worthwhile, it would have opened at Paramount or St. Francis, and
also recognized that 'All Star Cast' translated as 'nobody worth
mentioning' and apparently stayed away in droves, because it was
replaced the following week by a rerun of the eternal Frankenstein &
Dracula combination.
A June 3, 1948 photo from the Jack Tillmany collection. He comments:
A 1952 look at the theatre running "Paris After Midnight" starring Tempest Storm. The photo appeared on the Facebook page Lost San Francisco, along with many comments about the theatre and its demise to an ill-fated urban renewal scheme in 1971.
Another September 1952 "Paris After Midnight" photo, this one from the Jack Tillmany collection. No, they're not lined up to see the show -- it's yet another parade.
A closer look at the entrance from the 1956 photo. That "Strip Tease Girls" seen on the marquee could have been the 1952 film featuring Ms. Storm that was titled "Striptease Girl."
Thanks to Jack Tillmany for this 1958 photo from his collection. We're looking west toward 4th St. In addition to the Hub on the left, down the block we get a glimpse of the red vertical for the Portolá, at this time called the Farros Theatre.
Another March 1961 shot with an even better view of the Farros. Thanks to Jack Tillmany for spotting the photo by an unknown photographer on the Open SF History Project website.
An August 10, 1964 view of the theatre as the Paris by Alan J. Canterbury. Thanks to Jack Tillmany for this version of the photo. A smaller one is on the San Francisco Public Library website. It's also been seen on the Facebook page Lost San Francisco.
A lush July 22, 1966 view by Charles W. Cushman looking east from 4th St. That's the Humboldt Bank building this side of the theatre. And that sad parking lot nearest us is the site of Alfred Henry Jacobs' California Theatre. A new building for Roos-Atkins later arose on the site, now housing a Ross store.
The photo appears on the French blog San Francisco Pictures as part of that site's interesting array of vintage Market St. photos. It's also been seen on the Facebook pages Lost San Francisco and San Francisco Remembered.
Another Charles Cushman photo from July 22, 1966. "Flesh and Lace" was a December 1965 release. The Cushman Collection, housed at Indiana University, contains many San Francisco photos.
See the Cinema Treasures page about the theatre, which they list as the Paris.
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I remember Harry Farros. My dad managed the Verdi and Harry managed the Library theatre across the street from each other on Broadway.
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